Wednesday, 13 October 2010

Magnifying Glass Maya Tutorial


This tutorial was a lot easier than the dice! I manged to get the modeling done all in one go but i wanted to play around with the textures and lighting. The spotlight was coming out too dark so i added an ambient light to brighten the image up. In the image above i noticed that the glass wasn't bending the light so i adjusted the ray trace settings and rendered again to get this image.

The lines of the checker board are now being refracted! :)
After adjusting the settings i got rid of the ambient light and added a directional light to cast a shadow. In the shadow I wanted to see the difference in transparency between the glass and the rest of the magnifying glass.

Sunday, 3 October 2010

Life Drawing Week 2


Life Drawing Week 1


Apologies for the poor camera quality! i should be investing in a new one sometime soon :)
I love life drawing! I find it relaxing and im glad to have the chance to do it again. On foundation last year we did a couple of classes and i feel that my drawings benifited from those.  

The Fly (1986) Review


Tawny: [after Seth says it's Tawny's turn to teleport] I'm afraid. Seth Brundle: Don't be afraid. Ronnie: No. Be afraid. Be very afraid.”
David Cronenburg’s adaptation of The Fly certainly shows a darker and more gruesome side to science fiction horror. The film has a major impact though its special visual effects at depicting body mutation horror which makes this film truly stomach churning. It was uncomfortable to watch the gradual yet painful stages of scientist Seth Brundle’s mutation. The first signs of the mutation were the worst for me, his teeth falling out and nails peeling off got me flinching the most, because of the mental image of the pain of that actually happening. As the mutation progressed we saw Brundle at various stages in mutation process giving the impression of a time scale that it’s happening gradually. Each time he is revealed we see his human characteristics fading away before our eyes and special effects becoming more and more predominant as he becomes more like the fly.
What makes the special effects particularly gruesome is Cronenburg’s obsession with bodily fluids “also known as the King of Venereal Horror or the Baron of blood,” these names don’t fall short in this film.
“You feel as helpless as the characters themselves and you painfully wait for the unhappy ending to come!” The ending of the film becomes inevitable as soon as the changes begin to happen to Seph. The build up to the ending has a more background emphasis on character development and the relationship between Seph and Ronnie which makes the storyline more emotionally gripping unlike the conventional 1950’s family from the original.
All in all “It's not just scary, it's a tragedy too.”

The Fly (1958) Review

I had no knowledge of this film was before watching it, but I was amazed at how much I enjoyed the film despite how dated it is. It was good to see a film that had the very basics when it came to special effects yet still able create disturbingly chilling moments that still haunt people to this day... they even got me! 
  “The "help me, help meeeee" scene revolted and scared me so much as a young child that it was years before I could see this movie again. Even now I cringe when I witness that nightmarish scene. As good as Cronenberg's movie is (and it is very good), there is nothing that surpasses the delirious horror of the man-fly in the spider's grasp.” The nicknamed “Help me! Help meeee!” scene is one of the most disturbing scenes in the film, especially if you have a phobia of spiders. The camera angles and editing make you feel like your right in the web with Andre, the spider coming straight towards the camera cutting to shots of a helpless Andre screaming in a high pitched shrill “help me! Help meee.” The special effects for the human-fly consisted of Andre on a shape of some sort of shape that resembles a fly’s body, but from this basic picture of the situation you mind can still piece together the terror of being a spider’s prey.

There wasn’t much effort put into the design for the fly human genetic mutation because all the mutation consisted of was the fly and the scientist swapping heads and the special effects being a rubber mask and a glove. Although this sounds laughable, the reveal was still a chilling moment when the cloth is pulled from Andres head. Helene’s scream is what make this scene so iconic and it is quite disturbing when the scream is repeated and her face is multiplied through the ‘fly’s’ eyes. The famous scream has been spoofed in many films, like Monsters vs. Aliens (2009) being the most recent reference I can recall.
“If you watch this one expecting a sci-fi or horror spectacular, then you’ll be disappointed. If you’re more interested in psychological drama, then you might enjoy this fun, slightly campy film.” I feel this sums up the film nicely because it is defiantly not a film where special effects should be applauded but more of a film that relies on getting the audience getting drawn into the story and empathising with the scientist and his wife. Amongst all the seriousness of the film there were some moments in the script that were probably intended to be serious but came across as silly humour, in particular the scene where he explains to his wife the whereabouts of the cat...

Andre Delambre: [about the cat killed by the transporter] She disintegrated perfectly, but never reappeared. Helene Delambre: Where's she gone? Andre Delambre: Into space... a stream of cat atoms... “

I thought the story line was genius for its time with the concept of the teleportation machine, then something as small and trivial as a fly creating turmoil and chaos. The thought of being spliced with something as disgusting as a fly is just enough to bring the horror movie edge to the film. However towards the end of the film there was a point where I began to pity the scientist especially when I saw him lay himself under the press machine pointing his wife to the machine controls. The mood of this scene completely changed my perspective from the opening murder scene. On the other hand some critics see this as its down fall: “With such a dramatic opening "The Fly" has a lot to live up to and what emerges is a sad story of considerable pathos despite the ridiculous plot.” They see the change of mood as a disappointment when compared to the opening scene of the gruesome murder. Rather than building to a climax it turns into a decent as the story goes full circle.

Friday, 1 October 2010

Photoshop Week 2

Here is my second photoshop image of an armadillo using the graphics tablets... I'm really pleased with with my end result of this weeks image, although there are parts that i would like to neaten up! Unlike last week i got round to adding colour to my image, only basic block colours and not much shading but that will the my next stage in developing my image.
Next week i aim to do a full body image of my hybrid meaning next week i will need to go crazy with designs! Starting with looking at human and armadillo skellingtons.

Maya Dice Tutorial

Following the tutorial video exactly step by step i managed to create my Dice! I had trouble with the net layout and getting it into photoshop but in my second attempt i managed to do it right. The problem was that maya was picking up an extra face when i done the indents for the dots, maya didn't know what to do with these extra faces so the scattered them around when i did a UV snap shot. After that everything was straight forward.
First Render:


 After my first final render i realised there was no shadows being cast on the plane field! To solve this i had to select the directional shadow (something like that) button in the rendering options.









 Then there was shadows :)













I had some extra time so i decided to play about with some of the other tools in mata like the hair tools and the glowing tools in the textures menu.

Ta da! Pink Fluffy glowing dice!!!